Myths And Legends Continued
Kraken
Although the name kraken never appears in the Norse sagas, there are similar sea monsters, the hafgufa and lyngbakr, both described in Örvar-Odds saga and the Norwegian text from c. 1250, Konungs skuggsjá. Carolus Linnaeus included kraken as cephalopods with the scientific name Microcosmus in the first edition of his Systema Naturae (1735), a taxonomic classification of living organisms, but excluded the animal in later editions. Kraken were also extensively described by Erik Pontoppidan, bishop of Bergen, in his "Natural History of Norway" (Copenhagen, 1752–3).
Early accounts, including Pontoppidan's, describe the kraken as an animal "the size of a floating island" whose real danger for sailors was not the creature itself, but the whirlpool it created after quickly descending back into the ocean. However, Pontoppidan also described the destructive potential of the giant beast: "It is said that if it grabbed the largest warship, it could manage to pull it down to the bottom of the ocean" (Sjögren, 1980). Kraken were always distinct from sea serpents, also common in Scandinavian lore (Jörmungandr for instance).
According to Pontoppidan, Norwegian fishermen often took the risk of trying to fish over kraken, since the catch was so good. If a fisherman had an unusually good catch, they used to say to each other, "You must have fished on Kraken." Pontoppidan also claimed that the monster was sometimes mistaken for an island, and that some maps that included islands that were only sometimes visible were actually indicating kraken. Pontoppidan also proposed that a young specimen of the monster once died and was washed ashore at Alstahaug (Bengt Sjögren, 1980).
Since the late 18th century, kraken have been depicted in a number of ways, primarily as large octopus-like creatures, and it has often been alleged that Pontoppidan's kraken might have been based on sailors' observations of the giant squid. In the earliest descriptions, however, the creatures were more crab- like than octopus-like, and generally possessed traits that are associated with large whales rather than with giant squid. Some traits of kraken resemble undersea volcanic activity occurring in the Iceland region, including bubbles of water; sudden, dangerous currents; and appearance of new islets.
In 1802, the French malacologist Pierre Dénys de Montfort recognized the existence of two kinds of giant octopus in Histoire Naturelle Générale et Particulière des Mollusques, an encyclopedic description of mollusks. Montfort claimed that the first type, the kraken octopus, had been described by Norwegian sailors and American whalers, as well as ancient writers such as Pliny the Elder. The much larger second type, the colossal octopus (depicted in the above image), was reported to have attacked a sailing vessel from Saint-Malo, off the coast of Angola.
Montfort later dared more sensational claims. He proposed that ten British warships that had mysteriously disappeared one night in 1782 must have been attacked and sunk by giant octopuses. Unfortunately for Montfort, the British knew what had happened to the ships, resulting in a disgraceful revelation for Montfort. Pierre Dénys de Montfort's career never recovered and he died starving and poor in Paris around 1820 (Sjögren, 1980). In defence of Pierre Dénys de Montfort, it should be noted that many of his sources for the "kraken octopus" probably described the very real giant squid, proven to exist in 1857.
In 1830, possibly aware of Pierre Dénys de Montfort's work, Alfred Tennyson published his popular poem "The Kraken" (essentially an irregular sonnet), which disseminated Kraken in English forever fixed with its superfluous the. Tennyson's description apparently influenced Jules Verne's imagined lair of the famous giant squid in Twenty Thousand Leagues Under the Sea from 1870. Verne also makes numerous references to Kraken, and Bishop Pontoppidan in the novel.
The Hag
A hag, or "the Old Hag", was a nightmare spirit in British and Anglophone North American folklore. This variety of hag is essentially identical to the Anglo-Saxon mæra — a being with roots in ancient Germanic superstition, and closely related to the Scandinavian mara. According to folklore, the Old Hag sat on a sleeper's chest and sent nightmares to him or her. When the subject awoke, he or she would be unable to breathe or even move for a short period of time. Currently this state is called sleep paralysis, but in the old belief the subject had been hagridden.It is still frequently discussed as if it were a para-normal state.
In Irish and Scottish mythology, the Cailleach is a hag goddess concerned with creation, harvest, the weather and sovereignty.In partnership with the goddess Brìde, she is a seasonal goddess, seen as ruling the winter months while Brìde rules the summer.In Scotland, a group of hags, known as The Cailleachan (The Storm Hags) are seen as personifications of the elemental powers of nature, especially in a destructive aspect. They are said to be particularly active in raising the windstorms of spring, during the period known as A Chailleach.
Hags as sovereignty figures abound in Irish mythology. The most common pattern is that the hag represents the barren land, who the hero of the tale must approach without fear, and come to love on her own terms. When the hero displays this courage, love, and acceptance of her hideous side, the sovereignty hag then reveals that she is also a young and beautiful goddess.
The Three Fates (particularly Atropos) are often depicted as hags.
In Persian folklore, the Bakhtak has the same role as that of "the Old Hag" in British folklore. The Bakhtak sits on a sleeper's chest, awakening them and causing them to feel they are unable to breathe or even to move. Bakhtak also is used metaphorically to refer to "nightmare" in the modern Persian language.
Many stories about hags seem to have been used to frighten children into being good. Peg Powler, for example, was a river hag who lived in river trees and had skin the color of green pond scum. Parents told their children that if they got too close to the water she would pull them in with her extra long arms, drown them, and sometimes eat them. The parents hoped that the children would be afraid of the hag so they wouldn't go anywhere near the water. That way, they'd never fall in and drown. Peg Powler has other regional names, such as Jenny Greenteeth from Yorkshire and Nellie Longarms from several English counties.
Many tales about hags do not describe them sufficiently to make it clear whether the tale deals with an old woman who has learned magic or a supernatural being.
Banshee
Traditionally, when a citizen of an Irish village died, a woman would sing a lament (in Irish: caoineadh, [ˈki¢°nʲə] or [ˈki¢°nʲu¢°]) at their funeral. These women singers are sometimes referred to as "keeners". Legend has it that, for five great Gaelic families: the O'Gradys, the O'Neills, the O'Briens, the O'Connors, and the Kavanaghs, the lament would be sung by a fairy woman; having foresight, she would appear before the death and keen. When several banshees appeared at once, it indicated the death of someone great or holy. The tales sometimes recounted that the woman, though called a fairy, was a ghost, often of a specific murdered woman, or a woman who died in childbirth.
Banshees are frequently described as dressed in white or grey, and often having long, fair hair which they brush with a silver comb, a detail scholar Patricia Lysaght attributes to confusion with local mermaid myths. This comb detail is also related to the centuries-old traditional romantic Irish story that, if you ever see a comb lying on the ground in Ireland, you must never pick it up, or the banshees (or mermaids - stories vary), having placed it there to lure unsuspecting humans, will spirit such gullible humans away. Other stories portray banshees as dressed in green, red or black with a grey cloak.
Banshees are common in Irish and Scottish folk stories such as those recorded by Herminie T. Kavanagh. They enjoy the same mythical status in Ireland as fairies and leprechauns.
The banshee wails around a house if someone is about to die.
Curse of the Pharaohs
The Curse of the Pharaohs refers to the belief that any person who disturbs the mummy of an Ancient Egyptian pharaoh is placed under a curse whereby they will shortly die. Many tombs of pharaohs have curses written on or around them, warning against entering.
The belief was brought to many people's attention due to the deaths of some members of the team of Howard Carter, who opened the tomb of Tutankhamun (KV62) in 1922, launching the modern era of Egyptology. The first of these "mysterious" deaths was that of Lord Carnarvon. He had been bitten by a mosquito, and later slashed the bite accidentally while shaving. It became infected and blood poisoning resulted. Skeptics pointed out that many, many others who visited the tomb or helped to discover it lived long and healthy lives. A study showed that of the 58 people who were present when the tomb and sarcophagus were opened, only eight died within a dozen years. All the others were still alive, including Howard Carter who died peacefully at the age of 64 in 1939. The doctor who did the autopsy on Tutankhamum lived until 75.
Some have speculated that deadly fungus could have grown in the enclosed tombs and been released when they were open to the air. Arthur Conan Doyle, author of the Sherlock Holmes mysteries, favoured this idea, and speculated that the mold had been placed deliberately to punish grave robbers. A newspaper report printed following Carnarvon's death is also believed to have been responsible for the wording of the curse most frequently associated with Tutankhamun – "Death shall come on swift wings to him who disturbs the peace of the King" – a phrase which does not actually appear among the hieroglyphs in KV62.
While there is no evidence that such pathogens killed Lord Carnarvon, there is no doubt that dangerous materials can accumulate in old tombs. Recent studies of newly opened ancient Egyptian tombs that had not been exposed to modern contaminants found pathogenic bacteria of the Staphylococcus and Pseudomonas genera, and the moulds Aspergillus niger and Aspergillus flavus. Additionally, newly opened tombs often become roosts for bats, and bat guano may harbour histoplasmosis. However, at the concentrations typically found, these pathogens are generally only dangerous to persons with weakened immune systems. Air samples taken from inside an unopened sarcophagus through a drilled hole showed high levels of ammonia, formaldehyde and hydrogen sulfide; these gases are all toxic, but at dangerous concentrations are easily detected by their strong odours.
Partly as a result, many modern archaeologists wear protective clothing when opening long-closed burial chambers.
